In this celebrated work, Raphael Samuel takes issue with the claim that our obsession with heritage is a symptom of national decay. Instead, he argues that we live in an expanding historical culture, one which is newly alert to the evidence of the visual and altogether more pluralist than earlier versions of the national past.

Filling a gap in the literature, this volume explores the struggles and accomplishments of women from both past and present-day Tibet. Here are queens from the imperial period, yoginis and religious teachers of medieval times, Buddhist nuns, oracles, political workers, medical doctors, and performing artists. Most of the essays focus on the lives of individual women, whether fr...(展开全部)

At the turn of the twenty-first century, Xiamen’s pursuit of World Heritage Site designation from UNESCO stimulated considerable interest in the city’s Christian past. History enthusiasts, both Christian and non-Christian, devoted themselves to reinterpreting the legacy of missionaries and challenged official narratives of Christianity’s troubled associations with Western imper...(展开全部)

At the turn of the twenty-first century, Xiamen’s pursuit of World Heritage Site designation from UNESCO stimulated considerable interest in the city’s Christian past. History enthusiasts, both Christian and non-Christian, devoted themselves to reinterpreting the legacy of missionaries and challenged official narratives of Christianity’s troubled associations with Western imper...(展开全部)

This is an introduction to one of the most exciting new interdisciplinary fields of research: cultural memory studies. Who was Maurice Halbwachs, and what are the 'social frameworks of memory'? What can Aby Warburg's work tell us about the 'memory of art'? How do Pierre Nora's lieux de memoire connect history and memory? Where does the ancient art of memory meet the neuroscienc...(展开全部)

This is an introduction to one of the most exciting new interdisciplinary fields of research: cultural memory studies. Who was Maurice Halbwachs, and what are the 'social frameworks of memory'? What can Aby Warburg's work tell us about the 'memory of art'? How do Pierre Nora's lieux de memoire connect history and memory? Where does the ancient art of memory meet the neuroscienc...(展开全部)

Originally published in 1940, this book charts the origins and evolution of academies of art from the sixteenth century to the first half of the twentieth century. Pevsner expertly explains the political, religious and mercantile forces affecting the education of artists in various countries in Western Europe, and the growing 'academisation' of artistic training that he saw is ...(展开全部)

Mary Carruthers's classic study of the training and uses of memory for a variety of purposes in European cultures during the Middle Ages has fundamentally changed the way scholars understand medieval culture. This fully revised and updated second edition considers afresh all the material and conclusions of the first. While responding to new directions in research inspired by th...(展开全部)